Katma – Bell Shakespeare – Walsh Bay, Sydney | 15 – 19 January, 2025

🗓Jan 15, 2025 · 12:00 AM – Jan 19, 2025 · 12:00 AM
📍Bell Shakespeare, The Neilson Nutshell (The Thirsty Mile), Pier 2/3, 13A Hickson Road, Walsh Bay Arts Precinct, Sydney
🎟$49 + BF

🚉 Public Transport Access

🚂 Train & Metro Hubs:Barangaroo (Metro Line)
🚋 Light Rail & Ferry Wharves:Circular Quay 5A Ferry Wharf, Circular Quay 4B Ferry Wharf, Circular Quay 6A Ferry Wharf, McMahons Point Wharf, Milsons Point Wharf, Circular Quay 6B Ferry Wharf, Circular Quay 5B Ferry Wharf, Circular Quay 4A Ferry Wharf
🚌 Bus Stops:McMahons Point Wharf, Henry Lawson Av, Henry Lawson Reserve, Henry Lawson Av, Roslyn Packer Theatre, Hickson Rd, High Lane, Hickson Rd opp Roslyn Packer Theatre and 10 more stops nearby.
Location Map:

Bell Shakespeare, The Neilson Nutshell (The Thirsty Mile), Pier 2/3, 13A Hickson Road, Walsh Bay Arts Precinct, Sydney




Dates: 15 – 19 January, 2025

Location: Bell Shakespeare, The Neilson Nutshell (The Thirsty Mile), Pier 2/3, 13A Hickson Road, Walsh Bay Arts Precinct, Sydney

Cost: $49 + BF

Azzam Mohamed & PYT Fairfield

“Katma” is a slang term from Sudan meaning “suffocation” or “no room for breathing” — a word that describes the intensity of hard partying. This immersive performance brings that frenetic energy to the dancefloor, pulling inspiration from both Sudan and Australia’s party scenes, as well as legendary gatherings like The Loft in New York.

With no seats, the audience is part of the action, fully surrounded by the movement. Katma is directed by Azzam Mohamed (Sculptured Riddims, Sydney Festival 2024) and is co-created, choreographed and performed by seven dancers performing a dynamic fusion of street and club dance styles: breaking, hip-hop, krump, waacking, locking, house and Afro dances.

In acknowledging the origins of these art forms, the Katma creatives extend their gratitude to the communities who birthed them — the African diaspora, the Black and Latino communities and the LGBTQIA+ underground. Katma is a celebration of dance and culture, paying homage to the pioneers who shaped these styles and the vibrant traditions of African heritage.

Surrender to it to feel it.

Patrons are advised that this is a standing immersive experience where audiences are encouraged to move through the performance space. Seating will be made available for those who need it.

“PYT Fairfield… known for blending creative bravura with social inclusion.”

– The Sydney Morning Herald [on PYT]


Events In Sydney acknowledges and respects Aboriginal people as the state’s first people and nations and recognises Aboriginal people as the Traditional Owners and occupants of New South Wales land and water.
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